{"id":505,"date":"2009-02-22T14:15:41","date_gmt":"2009-02-22T21:15:41","guid":{"rendered":"http:\/\/wwwold.sketchwar.org\/?p=505"},"modified":"2009-02-22T14:15:41","modified_gmt":"2009-02-22T21:15:41","slug":"peters-commentary-on-the-the-heist-edition","status":"publish","type":"post","link":"https:\/\/www.sketchwar.org\/?p=505","title":{"rendered":"Peter&#8217;s Commentary on the &#8220;The Heist&#8221; Edition"},"content":{"rendered":"<p>Okay, I&#8217;m finally catching up on some more commentary entries for <a href=\"http:\/\/wwwold.sketchwar.org\/\">Sketchwar<\/a>.<\/p>\n<p><!--more-->This time around, we had three sketches based on <a href=\"http:\/\/wwwold.sketchwar.org\/tag\/the-heist\/\">&#8220;the heist&#8221;<\/a><sup>[1]<\/sup> &#8212; <a href=\"http:\/\/wwwold.sketchwar.org\/sketches\/fsw-heist-edition-coyotes-entry\/\">one from Mr. Porter<\/a>, <a href=\"http:\/\/wwwold.sketchwar.org\/sketches\/fsw-the-heist-kens-entry\/\">one from Mr. Robertson<\/a>, and <a href=\"http:\/\/wwwold.sketchwar.org\/sketches\/fsw-the-heist-edition-peters-entry\/\">one from me<\/a>.<\/p>\n<p>Of the three, Mr. Porter definitely wins for the sight gag of the week.  I would have pared down the ~minute of offscreen dialog over that static shot of the Hudson River, but afterwards, when we see our would-be criminals wearing goose costumes, it&#8217;s a hell of a payoff.<\/p>\n<p>I myself didn&#8217;t care for the TV-intro montage midway.  This sketch seems like it wants to be simple and to the point:  establish our criminals, establish that they&#8217;re going to fake a birdstrike crash, fade to black.<\/p>\n<p>On to Mr. Robertson&#8217;s sketch.<\/p>\n<p>I don&#8217;t usually harp on technicalities, but the prose in this one made me a little twitchy.  A few quick guidelines:<br \/>\n1.  Only put a character name in ALL CAPS when that character first appears.<br \/>\n2.  Avoid any form of &#8220;to be&#8221;.<br \/>\n3.  Avoid adverbs.<br \/>\n4.  Avoid big blocks of text.  Some writers do &#8220;one block&#8217;o&#8217;text per shot&#8221;, others do &#8220;one block&#8217;o&#8217;text per action&#8221;.  If you do that and still wind up with lengthy paragraphs, you&#8217;re being too long-winded and\/or including too much detail.<\/p>\n<p>Okay, on to the sketch proper.  It&#8217;s a great concept, the narcisstic French cat burglars who are kept in business by rich men running insurance scams.  I&#8217;d cut a bunch out of this one, though.  I&#8217;d cut maybe half of the lines up to the Donna Summer music.  Leave enough for the audience to see the arc of the scene, but kill a lot of the repetition.<\/p>\n<p>I love the guard&#8217;s appearance, and the sharply different voice he brings to the scene (though you might rename  &#8220;Gerard&#8221; to something that doesn&#8217;t look so much like &#8220;Guard&#8221;).  I love the idea that it&#8217;s all an insurance scam.  I&#8217;d find some way to pare down the guard&#8217;s &#8220;You pricks tripped a silent alarm&#8230;&#8221; speech, though &#8212; that is a giganamous chunk of exposition, and that&#8217;s a long time for a sketch to not be funny.<\/p>\n<p>Similarly, I&#8217;d cut the guard&#8217;s &#8220;Nope&#8221; and Gerard&#8217;s &#8220;You won&#8217;t burst in again&#8230;?&#8221;  (It&#8217;s a repetition.)<\/p>\n<p>Lastly, I like Gerard&#8217;s &#8220;Uh, could you leave the lights on&#8230;?&#8221; line.  I&#8217;d say, do that line, have the euro-boys resume dancing, and fade to black off of that.  The button of a scene is where you want to be incredibly concise instead of trailing off.<\/p>\n<p>Again:  great idea, but it just needs to move a lot faster.<\/p>\n<p>On to mine &#8212; I&#8217;m shocked and flattered that people liked <a href=\"http:\/\/wwwold.sketchwar.org\/sketches\/fsw-the-heist-edition-peters-entry\/\">my contribution<\/a>.  I had a morning flight to Florida on that Friday, which meant that (1) I had to finish the sketch a day early and (2) I had very little time to write, what with the trip preparations.  So I sat down and worked through the simplest sketch-concept possibilities:  they&#8217;re heisting something unusual; they&#8217;re heisting something in an unusual way; there are unusual people doing the heisting.<\/p>\n<p>Aha!  That last one looked doable.  So I started listing the least likely heist-team people I could think of.  Then I came up with the &#8220;all the criminals are in banking&#8221; punchline.  Great, I thought.  I&#8217;ll just write out a bunch of introductions, write the punchline, and then resume packing for my trip.  Much as I&#8217;d like to think it was my razor-sharp comic instincts that made me limit the sketch to one joke with maximum impact, it&#8217;s more like &#8220;I didn&#8217;t have enough time to make it less funny.&#8221;<\/p>\n<p>Honestly?  I myself don&#8217;t find the punch line that funny.  I&#8217;m more amused by the team members.  <small>(I&#8217;m sure I&#8217;m ripping off the inaupsicious students in <a href=\"http:\/\/vids.myspace.com\/index.cfm?fuseaction=vids.individual&amp;videoid=2309475\">&#8220;The Tick vs. Education&#8221;<\/a> to some extent.  More people should steal from that show.)<\/small> In fact, this is one of the only sketches I&#8217;ve written where I&#8217;m more intrigued by what would happen after the sketch *ends* than I am by the sketch itself.  (How shall the Boggler prove his worth when they try to steal the diamond?)<\/p>\n<p>But like I said, people seem to dig this one, so I&#8217;m proud of my little &#8220;blackout sketch&#8221; (in <a href=\"http:\/\/wwwold.sketchwar.org\/wrapups\/friday-night-sketch-war-the-heist-edition\/\">the wrapup<\/a>, I learned a new phrase), and I&#8217;m glad to have provided some amusement.<\/p>\n<p>_______<br \/>\n<small>[1] I remember suggesting this topic after seeing rather extensive coverage of <a href=\"http:\/\/www.dreamloom.com\/tag\/tnt\/\"><em>Leverage<\/em><\/a> over on <a href=\"http:\/\/www.dreamloom.com\/\">Mr. Porter&#8217;s TV site<\/a>.<\/small><\/p>\n","protected":false},"excerpt":{"rendered":"<p>My commentary on the three sketches handed in for the week of 1\/17\/09, topic:  &#8220;The Heist&#8221;.<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[210],"class_list":["post-505","post","type-post","status-publish","format-standard","hentry","category-analysis","tag-the-heist"],"_links":{"self":[{"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=\/wp\/v2\/posts\/505","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=505"}],"version-history":[{"count":0,"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=\/wp\/v2\/posts\/505\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=505"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=505"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=505"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}