{"id":203,"date":"2009-02-03T07:00:00","date_gmt":"2009-02-03T15:00:00","guid":{"rendered":"http:\/\/wwwold.sketchwar.org\/?p=203"},"modified":"2009-02-03T07:00:00","modified_gmt":"2009-02-03T15:00:00","slug":"advertising-edition-ras-entry","status":"publish","type":"post","link":"https:\/\/www.sketchwar.org\/?p=203","title":{"rendered":"Advertising Edition: R.A.&#8217;s entry"},"content":{"rendered":"<div class=\"scrippet\">\n<p class=\"sceneheader\">INT. OFFICE &#8211; DAY<\/p>\n<p class=\"action\">TITLE &#8211; Mitchell-Bell, Inc. New York 1962<\/p>\n<p class=\"action\">GARETH MACLAREN (early 30s, wan with thinning hair) sits opposite BARRY NEWCOMB (a late 20s go-getter with moviestar looks). Hair and suit styles are appropriate to the mid-1960s. Whenever he&#8217;s not speaking, Barry peers intently, like a detective divining motive.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">We&#8217;re not the first agency you approached, are we Mr. MacLaren?<\/p>\n<p class=\"character\">GARETH<\/p>\n<p class=\"dialogue\">No. No, I&#8217;ve been all over town. Spent an hour at Sterling-Cooper while their Creative Director waxed eloquent about something or another.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">Draper&#8217;s very good.<\/p>\n<p class=\"character\">GARETH<\/p>\n<p class=\"dialogue\">He certainly seemed to think so.<\/p>\n<p class=\"parenthetical\">(Beat)<\/p>\n<p class=\"dialogue\">Took a meeting at McMann and Tate, but the copywriter never showed up. Sat in a board room with Tate while a crow kept tapping on the window like it wanted to come in and pitch. Very awkward.<\/p>\n<p class=\"parenthetical\">(Beat)<\/p>\n<p class=\"dialogue\">I even met with Rock Hunter.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">He&#8217;s become quite successful.<\/p>\n<p class=\"character\">GARETH<\/p>\n<p class=\"dialogue\">Seems to have spoiled him.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">Well you certainly have a sticky problem, Mr. MacLaren. But I&#8217;m not clear why you think there&#8217;s money in it.<\/p>\n<p class=\"character\">GARETH<\/p>\n<p class=\"dialogue\">My father believed there was. He came to America with the clothes on his back and spent the rest of his life building a company by anticipating what the public wanted before they knew they wanted it. Before he died, he told me this was the one goal he never achieved.<\/p>\n<p class=\"parenthetical\">(Beat)<\/p>\n<p class=\"dialogue\">I think I owe it to my father, for all he sacrificed and all he accomplished, to do this for him. Can you help?<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">There&#8217;s no ad campaign we can create that can help you.<\/p>\n<p class=\"character\">GARETH<\/p>\n<p class=\"dialogue\">So you can&#8217;t help me either.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">I didn&#8217;t say that, Mr. MacLaren. I&#8217;m facing facts. No one else in town came up with anything either because, forgive me, the idea is just crazy.<\/p>\n<p class=\"character\">GARETH<\/p>\n<p class=\"dialogue\">Maybe it is. But I&#8217;ve got to try. You won&#8217;t help?<\/p>\n<p class=\"action\">Barry ponders a moment.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">You said your father knew what people wanted before they did, right?<\/p>\n<p class=\"character\">GARETH<\/p>\n<p class=\"dialogue\">Yes.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">Then maybe this is an R&#038;D problem, not an advertising problem. At least not an advertising problem for today.<\/p>\n<p class=\"character\">GARETH<\/p>\n<p class=\"dialogue\">I see where you&#8217;re going.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">You see Mr. MacLaren, Mitchell-Bell is part of a much larger concern&#8211;<\/p>\n<p class=\"sceneheader\">INT. OFFICE &#8211; DAY<\/p>\n<p class=\"action\">TITLE &#8211; Mitchell-Bell, Inc. New York 1992<\/p>\n<p class=\"action\">Barry and Gareth are joined by MELINDA RESTON (20s and casually dressed) in his updated  office. Barry looks even more dashing with silver hair. Gareth is wiry and fit with a few wisps of gray hair all that remains. The two older men wear suits.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">Just skip to the bottom line, Melinda. How close are we.<\/p>\n<p class=\"character\">MELINDA<\/p>\n<p class=\"dialogue\">At least another 30 years.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">That can&#8217;t be! We&#8217;ve been running non-stop since &#8217;62.<\/p>\n<p class=\"character\">GARETH<\/p>\n<p class=\"dialogue\">Barry, that&#8217;s what my people are saying as well. I&#8217;ve just accepted that it&#8217;s a bigger problem than we realized and I may not live to see the day.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">Melinda, is there anything we can do?<\/p>\n<p class=\"character\">MELINDA<\/p>\n<p class=\"dialogue\">I think so. We&#8217;ve been seeing a lot of success with the campaigns on the new Hummers. We think maybe pushing in that direction might help. We can spur the public to embrace a whole new class of what we&#8217;re calling Sport Utility Vehicles.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">How much will that help?<\/p>\n<p class=\"character\">MELINDA<\/p>\n<p class=\"dialogue\">We think we can soften the ground considerably. Maybe cut the total time in half.<\/p>\n<p class=\"character\">BARRY<\/p>\n<p class=\"dialogue\">That&#8217;ll have to do.<\/p>\n<p class=\"sceneheader\">INT. CONFERENCE ROOM &#8211; DAY<\/p>\n<p class=\"action\">TITLE &#8211; Mitchell-Bell, Inc. New York 2010<\/p>\n<p class=\"action\">Barry and Gareth are still plugging away. Barry&#8217;s aging like Paul Newman, Gareth like Abe Vigoda. The lights are dim and the room is filled with young men and women in casual attire. The light of a monitor flickers on everyone&#8217;s face.<\/p>\n<p class=\"action\">From the speakers, the recognizable CLINK, CLINK of two ice cubes being dropped in a glass followed by the fizzy sound of a carbonated beverage being poured.<\/p>\n<p class=\"action\">Zoom in on TELEVISION showing ad.<\/p>\n<p class=\"sceneheader\">INT. BAR &#8211; NIGHT<\/p>\n<p class=\"action\">ICE CUBES land in glass. Cola is poured into the glass.<\/p>\n<p class=\"character\">NARRATOR (O.S.)<\/p>\n<p class=\"dialogue\">Mmm. Cool, fresh, invigorating. Nothing refreshes like MacLarens.<\/p>\n<p class=\"action\">The glass sits on a black velvet tabletop. Nothing is visible beyond the glass. The ice cubes glint as they bob in the sparkling amber fluid.<\/p>\n<p class=\"character\">NARRATOR (O.S.) (CONT&#8217;D)<\/p>\n<p class=\"dialogue\">MacLarens Ice. Now available in Alaska.<\/p>\n<p class=\"action\">Zoom out to reveal&#8230;<\/p>\n<p class=\"sceneheader\">EXT. STREET &#8211; TWILIGHT<\/p>\n<p class=\"action\">The television is in the window of a small electronics store. The sign above reads NANOOK&#8217;S TV AND RADIO. An ESKIMO stands in front of the window watching. He wears shorts, t-shirt, and flip-flops. As the commercial ends, he turns and we see a SINGLE TEAR run down his face.<\/p>\n<p class=\"transition\">BLACKOUT:<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>INT. OFFICE &#8211; DAY TITLE &#8211; Mitchell-Bell, Inc. New York 1962 GARETH MACLAREN (early 30s, wan with thinning hair) sits opposite BARRY NEWCOMB (a late 20s go-getter with moviestar looks). Hair and suit styles are appropriate to the mid-1960s. Whenever he&#8217;s not speaking, Barry peers intently, like a detective divining motive. BARRY We&#8217;re not the [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[12],"class_list":["post-203","post","type-post","status-publish","format-standard","hentry","category-sketches","tag-advertising"],"_links":{"self":[{"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=\/wp\/v2\/posts\/203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=203"}],"version-history":[{"count":0,"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=\/wp\/v2\/posts\/203\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sketchwar.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}